As I browsed through some old pictures that I clicked as someone with a new found interest in photography, I came across a picture of a Gothic architectural piece that captured my fascination like it never had before, even stranger was that it had always been there waiting for me to take notice of it. Dragon sculptures have been one of the most exploited features of Gothic architecture and why shouldn’t they be after all they have long been an embodiment of enormous strength and a courage which doesn’t mean absence of fear but the existence of something far more important than fear. They have been featured everywhere from the cathedral tympanums to the gargoyles which drain out water. If that’s not all then there are the stories spun in mythology and folklore about them which span continents and every culture has conceived its own native version.
The first time I came across these fanciful creatures was through the Chinese cartoons where the creatures had long serpentine bodies with large fearsome fire-breathing whiskered heads. There were both benevolent and malevolent dragons and in the particular cartoon show that I remember, a red dragon (malevolent) and a white dragon (benevolent) battle again each other across the skies over a village and towards the end culminating into one to create a richly coloured golden dragon, the sacred protector of the village. I instantly fell in love with the symbolism – synchronising the aggressor and harmonious to bring out the best in oneself. We have our very own native version of the dragon – The Seshnāga, I knew them more as Lord Vishnu’s recliner. I apologise for being blasphemous. Then there is the evil five-hooded serpent, the Kāliyā, who was defeated by a dancing juvenile Krishna. These Indian serpents are designed to look more like Chinese dragons in the Thai or Malay or Indonesian adaptation of the mythology. The dragon territories were then diversified by the Greco-Roman and the Norse mythology. They made such lovely bedtime stories. A same culture seems to have mothered all other culture, it but another diaspora.
Growing up, I came across the Dragonheart – the best dragon movie with the best “dragon-effects” and yes, for a change a male dragon which I realised later on. Later, Harry Potter happened to me which plunged me into this new found world of sorcery laden with every mythical creature encountered in the Greek and Roman mythology. Many thanks to Ms. JK Rowling and the Goblet of Fire. Would it be same without the ruthless Hungarian Horntail of a mother that Potter was to get across? I wish there were as detailed descriptions of the Chinese Fireball, the Common Welsh Green and the Swedish Short-Snout. I wish I could in real life run into some Charlie Weasley who rears dragons in Romania and wish I could have Hagrid’s Norbert, the Norwegian Ridgeback for a pet. Finally, I think I should get a copy of Fantastic Beasts and Where to Find Them by Newt Salamander (note the play of words in the name).
However, the same creatures were cast in my favourite manner by Mr. JRR Tolkien. Though there weren’t many of them, but then Smaug satisfied my palate. Reflections on the power accorded to these gigantic creatures, the fire they breathed was sure to destroy the One-Ring but there being no more of the kind after Smaug, the entire journey to the Mount Doom had to be undertaken, hence, the legend of the Lord of the Rings is born! His creations are a complete epic in themselves. Oh, there was this creature which could come in as a close ancestor to the dragons, the Nazgûl-birds. It’s possible they were once benign dragons fallen to the power of Lord Sauron who turned them into evil just as he did to the Ringwraiths. One must definitely see the last flick, The Return of the King.
Last night I finished watching the Eragon. It had been on my mind ever since it was released over two years ago and last night was when I finally got through with it. In fact, the tale of Eragon and Saphira inspired me to type down this post. The bond the dragon shares with it’s rider that his death results in the death of the dragon as well and that dragon would wait forever to hatch from it’s egg if it has to before it finds its rider. It’s the again the hidden power that needs a the guidance of conscious soul. Most importantly, it’s been emphasized in every creation about them that the blood of a dragon has magical properties. Another dragon that I instantly fell in love with was Mushu, the cute little red guardian spirit of Mulan.
Talking about how some people are crazy for dragons, the Welsh national flag features a dragon which goes by the name of Y Ddraig Goch. Just so you know, it is always a red coloured dragon which defeated the white coloured Saxon dragon. And more, there’s a proposal to alter the union flag of Great Britain so as to feature the Welsh Dragon on it. Speculating further on the matter, I think the Scottish Loch Nessie could be a distant relative to the Goch. Speculating further, I feel they are the imaginative descendants of our prehistoric friend the Pterodactyl thought they were discovered only in the late 18th century and the dragon legends predate the event. “MAYBE”, they were discovered by someone long back and spun into tales which would survive for ages and ages. But we have a big maybe in double quotes! Oh damn, how I love speculating.
Now, when I have typed all that, it’s time for some afterthought. Incidentally, the word dragon derives from the Greek drakōn from Greek derkomai which means “I see clearly”. Does that mean anything further? Why are most of the dragons females? HP has more female dragons mentioned in the books than the male ones. Sephira is again a female dragon! I am back to the same thought stream as when I think why all hurricane names are feminine. Is it because of the power they posses? But hell, men are physically stronger than women. Then, maybe it doesn’t have to deal with physical strength at all. Maybe, it is because it calls for both physical and emotional integrity, an inherently feminine trait, which sanctuaries great power. “With great power there must also come - great responsibility.” A woman when benign is a nurturer and when infuriated she is nothing short of a catastrophe and then, women are more responsible which is a very emotional trait. We in India worship the Goddess Shakti, the active feminine energy. So, all these dragons in all the various cultures speak of something - the immense reservoir of energy that lies hidden in each one of us and which if unchecked could reduced the world to ashes - we need to tap this potential and bring out the compassionate dragons in us, the highest level of personal development. I am already bonding with my Dragon, she is called Gnosiofera.